2026/1(44)
Contents
HISTORICAL RESEARCH
Stylistic features of the Stroganov' glassblowing plastics of the 1960s - 1980s
History of the horse-breeding portrait as a utilitarian genre in the traditions of Russian art of the late
XVIII - XIX centuries
“Expedition in Time and Space”
on Lake Onega
Military education of servicemen of the Russian army in the second half of the 19th century – early
20th century: historical experience, lessons
INTANGIBLE CULTURAL HERITAGE
I.A. Ilyin on Pushkin's heritage
and the antitheses of its interpretation
Yalta branch of the Crimean State Philharmonic in the cultural
and historical retrospective
of development
HERITAGE PRESERVATION
Tourism as a factor in preserving
the unique cultural heritage of
the Kenozersky National Park
Reconstruction vs «Disneyification» of cultural heritage
Patterns of non-governmental digital heritage preservation in Russia
Current problems of the actuel system of protected zones for cultural heritage sites in Russia
Experience of preserving authentic winemaking as part of the cultural heritage of the region (based on
the material of the Spanish movement of «terroirists»)
MUSEOLOGY
Memorial landscape on the coast
of the Sea of Azov: the first steps to organize a museum complex in the
homeland of Fedor Konyukhov
Prerequisites for the emergence
and features of the functioning
of museums of Russian writers
in the CIS member states
Role of volunteers in preserving landscape art, using the example
of estate complexes in central Russia
REVIEWS
»Archaeology of the Russian Arctic»: book review
Publ. 10/02/2026
Archives
DOI 10.34685/HI.2024.75.31.003
Abolonkova I., Zayatdinov D.,
Novokreshchenova K., Yudnikova A.,
Rayko G.
Experience of geomechanical monitoring of Tomskaya Pisanitsa in 2022–2023
Abstract. The article is focused on the problem of conservation of the Tomskaya Pisanitsa rock art site. The authors consider natural and anthropogenic forms of destruction noted by experts in different periods. The paper presents the results of a surveying the technical condition of the solid rock and its geomechanical monitoring conducted at the site in 2022–2023. These activities included petrographic studies of rock samples from the main accumulation of Tomskaya Pisanitsa and from the area intended for experiment; monitoring the impact of seasonal events; laboratory studies of the chemical and elemental composition of atmospheric precipitation; studying the stressed state of the solid rock using acoustic sounding; monitoring the magnitude of crack opening and increasing erosion depth using the instrumental method; geodetic and mine surveying observations of solid rock deformations; and the assessment of the impact of seismic activity. To conserve the rock art site, the authors recommend that a number of preventive measures should be taken and monitoring at the site continued.
Key words: rock art, destruction factors, monitoring, geophysical monitoring, geodetic and surveying observations, seismic survey.
Abolonkova Irina Vasilievna
PhD History, Head of Department,
Museum-Reserve “Tomskaya Pisanitsa” (Kemerovo)
Email: abolonirina@mail.ru
Zayatdinov Damir Fanisovich
General Director, Research and Production Association “Alzamir” (Kemerovo)
Email: damir.zayatdinov@yandex.ru
Novokreshchenova Ksenia Yurievna
Deputy Chief Surveyor,
Research and Production Association “Alzamir” (Kemerovo)
Email: novokreshchenova.ks@mail.ru
Yudnikova Anastasia Evgenievna
Deputy Chief Geologist,
Research and Production Association “Alzamir” (Kemerovo)
Email: yudnikova-a@mail.ru
Rayko Galina Viktorovna
Senior Lecturer,
Kuzbass T.F.Gorbachev State Technical University (Kemerovo)
Email: galinarayko@mail.ru
Published: The Heritage Institute Journal, 2024/1(36)
URL: http://nasledie-journal.ru/en/journals/638.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
PARTNERS
