2025/2(41)
special issue

Scientific practical conference
of graduate students
and young scientists

ARTS AND CULTURE SCIENCES:
ADVANCED RESEARCH

Moscow, 2025, 22-23 January

Part 1

REPORTS

Bazhenova I.

Synthesis of genres in theatrical arts (on the example of the Musical theatre ‘On Basmannaya’)

Berezina N.

Best practices for the implementation of modern measures for the preservation, use and popularization of cultural heritage
in the Vologda region

Borsukovskaya G.

The cultural system of the indigenous population of the Canary islands as a relic of Neolithic culture

Borunov S.

Specifics of commemoration
of the events of the Crimean front
of the Great Patriotic war in fiction cinematography of the Stalin and Khrushchev periods of the USSR (1944–1964)

Valkova I.

Testing of individual methods
for removing dirt from the surface
of furniture without a finishing coating

Garafutdinov D.

The period of formation of the Chekhov International theater festival as a new theatrical institution

Kostin N.

Regional сultural and information policy: challenges and prospects

Orlov S.

Artificial intelligence and determining the authorship of electronic texts
as a cultural problem

Talovin K.

Cultural potential of archaeological metal finds

Chebykin D.

The specifics of the implementation of soft power in foreign cultural policy (USA, China and Russia
for examples)

Publ. 06/05/2025

Archives

DOI 10.34685/HI.2023.55.34.010

Ippolitov S.

Fashion industry of Kazakhstan and national cultural heritage:
problems of studying

Аbstract. The article, based on the study of the available corpus of sources and literature, states that the fashion industry is not only a sign of everyday life for residents of the Republic of Kazakhstan; a marker of taste, age or cultural preferences, but a significant means of preserving national identity. The cultural heritage of the Kazakh people, penetrating deeper into the sphere of the fashion industry, generates not only the revival of traditional crafts and crafts, but also gives rise to a reciprocal desire of the most diverse segments of the population to accept and adapt the national heritage in everyday life. A new understanding by Kazakhstani designers, fashion designers, fashion artists, representatives of light industry and trade of the role and place of intangible cultural heritage in the life of society in general, and in the fashion industry in particular, gives a synergetic effect, resulting in the emergence of a large number of commercial enterprises aimed at meeting the emerging demand in the ethno–cultural design niche. The role of the state in the sphere of culture in the context of solving specific political tasks is clearly traced on the example of the Republic of Kazakhstan. Thus, the healthy desire of the country's citizens to revive, preserve and receive the national cultural heritage is often used by the authorities in attempts to isolate the national culture; to contrast it with the common heritage of the peoples of the post–Soviet space in order to achieve a quite obvious goal: the mental «separation» of the Kazakh people from its neighbors, and mainly from the Russian Federation.

Key words: Kazakhstan, cultural heritage, fashion industry, design, creative industries, state cultural policy.

Ippolitov Sergey Sergeevich
D. in History,
Chief Researcher, Russian Scientific Research Institute for Cultural
and Natural Heritage named after D.Likhachev (Moscow)
Email: nivestnik@yandex.ru

Published: The Heritage Institute Journal, 2023/2(33)

Url: http://nasledie-journal.ru/en/journals/583.html

Founder

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Publisher

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Certificate

Frequency

4 issues per year

Published on-line only

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