2026/2(45)
Contents
HISTORICAL RESEARCH
Occupation Regime and
Nazi Criminals in the Krasnodar Region (1942-1943): An Analysis
of Eyewitness Testimonies
APPLIED RESEARCH
On the spread of stone architecture in the Arctic region. Construction
of a cathedral in the Sumskoy Fortress
Art project “My Contemporaries”: аxiological foundations
Traditional water transport
of the Amur basin
Authorial repetition and copy
in the creative practice of Vladimir painters of the 1980s - 1990s (based on the archive of GOSNIIR
Scientific Expertise Department)
Formation and development
of copyright in China: from doctrine to instruments of state cultural policy
HERITAGE PRESERVATION
Study of the X-ray of “Landscape. Pargolovo” by Fyodor Vasilyev
(the Radischev Art Museum, Saratov)
Cultural transmission mechanisms and modes in the context of historical development of the Stronsky artistic dynasty
Digital twin as an object of protection of lost heritage
Chukotka baidara: technology and the preservation of traditions. Experience building an Eskimo baidara in the village of Sireniki
in 2025
Historical practices and conceptual evolution in the conservation
of China's large archaeological sites
MUSEOLOGY
Tainitskaya Tower of the Nizhny Novgorod Kremlin: historical and architectural review
Mikhalskaya O., Chuvilkina Yu.
Contribution of collector Felix Evgenievich Vishnevsky to the development of Russian museum collections
Biblical scenes on an 18th century tiled stove of the Novodevichy convent in Moscow
Publ. 04/05/2026
Archives
DOI 10.34685/HI.2023.55.34.010
Ippolitov S.
Fashion industry of Kazakhstan and national cultural heritage:
problems of studying
Аbstract. The article, based on the study of the available corpus of sources and literature, states that the fashion industry is not only a sign of everyday life for residents of the Republic of Kazakhstan; a marker of taste, age or cultural preferences, but a significant means of preserving national identity. The cultural heritage of the Kazakh people, penetrating deeper into the sphere of the fashion industry, generates not only the revival of traditional crafts and crafts, but also gives rise to a reciprocal desire of the most diverse segments of the population to accept and adapt the national heritage in everyday life. A new understanding by Kazakhstani designers, fashion designers, fashion artists, representatives of light industry and trade of the role and place of intangible cultural heritage in the life of society in general, and in the fashion industry in particular, gives a synergetic effect, resulting in the emergence of a large number of commercial enterprises aimed at meeting the emerging demand in the ethno–cultural design niche. The role of the state in the sphere of culture in the context of solving specific political tasks is clearly traced on the example of the Republic of Kazakhstan. Thus, the healthy desire of the country's citizens to revive, preserve and receive the national cultural heritage is often used by the authorities in attempts to isolate the national culture; to contrast it with the common heritage of the peoples of the post–Soviet space in order to achieve a quite obvious goal: the mental «separation» of the Kazakh people from its neighbors, and mainly from the Russian Federation.
Key words: Kazakhstan, cultural heritage, fashion industry, design, creative industries, state cultural policy.
Ippolitov Sergey Sergeevich
D. in History,
Chief Researcher, Russian Scientific Research Institute for Cultural
and Natural Heritage named after D.Likhachev (Moscow)
Email: nivestnik@yandex.ru
Published: The Heritage Institute Journal, 2023/2(33)
Url: http://nasledie-journal.ru/en/journals/583.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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