2026/1(44)
Contents
HISTORICAL RESEARCH
Stylistic features of the Stroganov' glassblowing plastics of the 1960s - 1980s
History of the horse-breeding portrait as a utilitarian genre in the traditions of Russian art of the late
XVIII-XIX centuries
“Expedition in Time and Space”
on Lake Onega
Military education of servicemen of the Russian army in the second half of the 19th century – early
20th century: historical experience, lessons
INTANGIBLE CULTURAL HERITAGE
I.A. Ilyin on Pushkin's heritage
and the antitheses of its interpretation
Yalta branch of the Crimean State Philharmonic in the cultural
and historical retrospective
of development
HERITAGE PRESERVATION
Tourism as a factor in preserving
the unique cultural heritage of
the Kenozersky National Park
Reconstruction vs «Disneyification» of cultural heritage
Patterns of non-governmental digital heritage preservation in Russia
Current problems of the actuel system of protected zones for cultural heritage sites in Russia
Experience of preserving authentic winemaking as part of the cultural heritage of the region (based on
the material of the Spanish movement of «terroirists»)
MUSEOLOGY
Memorial landscape on the coast
of the Sea of Azov: the first steps to organize a museum complex in the
homeland of Fedor Konyukhov
Prerequisites for the emergence
and features of the functioning
of museums of Russian writers
in the CIS member states
Role of volunteers in preserving landscape art, using the example
of estate complexes in central Russia
REVIEWS
»Archaeology of the Russian Arctic»: book review
Publ. 10/02/2026
Archives
DOI 10.34685/HI.2023.55.34.010
Ippolitov S.
Fashion industry of Kazakhstan and national cultural heritage:
problems of studying
Аbstract. The article, based on the study of the available corpus of sources and literature, states that the fashion industry is not only a sign of everyday life for residents of the Republic of Kazakhstan; a marker of taste, age or cultural preferences, but a significant means of preserving national identity. The cultural heritage of the Kazakh people, penetrating deeper into the sphere of the fashion industry, generates not only the revival of traditional crafts and crafts, but also gives rise to a reciprocal desire of the most diverse segments of the population to accept and adapt the national heritage in everyday life. A new understanding by Kazakhstani designers, fashion designers, fashion artists, representatives of light industry and trade of the role and place of intangible cultural heritage in the life of society in general, and in the fashion industry in particular, gives a synergetic effect, resulting in the emergence of a large number of commercial enterprises aimed at meeting the emerging demand in the ethno–cultural design niche. The role of the state in the sphere of culture in the context of solving specific political tasks is clearly traced on the example of the Republic of Kazakhstan. Thus, the healthy desire of the country's citizens to revive, preserve and receive the national cultural heritage is often used by the authorities in attempts to isolate the national culture; to contrast it with the common heritage of the peoples of the post–Soviet space in order to achieve a quite obvious goal: the mental «separation» of the Kazakh people from its neighbors, and mainly from the Russian Federation.
Key words: Kazakhstan, cultural heritage, fashion industry, design, creative industries, state cultural policy.
Ippolitov Sergey Sergeevich
D. in History,
Chief Researcher, Russian Scientific Research Institute for Cultural
and Natural Heritage named after D.Likhachev (Moscow)
Email: nivestnik@yandex.ru
Published: The Heritage Institute Journal, 2023/2(33)
Url: http://nasledie-journal.ru/en/journals/583.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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