2026/1(44)
Contents
HISTORICAL RESEARCH
Stylistic features of the Stroganov' glassblowing plastics of the 1960s - 1980s
History of the horse-breeding portrait as a utilitarian genre in the traditions of Russian art of the late
XVIII - XIX centuries
“Expedition in Time and Space”
on Lake Onega
Military education of servicemen of the Russian army in the second half of the 19th century – early
20th century: historical experience, lessons
INTANGIBLE CULTURAL HERITAGE
I.A. Ilyin on Pushkin's heritage
and the antitheses of its interpretation
Yalta branch of the Crimean State Philharmonic in the cultural
and historical retrospective
of development
HERITAGE PRESERVATION
Tourism as a factor in preserving
the unique cultural heritage of
the Kenozersky National Park
Reconstruction vs «Disneyification» of cultural heritage
Patterns of non-governmental digital heritage preservation in Russia
Current problems of the actuel system of protected zones for cultural heritage sites in Russia
Experience of preserving authentic winemaking as part of the cultural heritage of the region (based on
the material of the Spanish movement of «terroirists»)
MUSEOLOGY
Memorial landscape on the coast
of the Sea of Azov: the first steps to organize a museum complex in the
homeland of Fedor Konyukhov
Prerequisites for the emergence
and features of the functioning
of museums of Russian writers
in the CIS member states
Role of volunteers in preserving landscape art, using the example
of estate complexes in central Russia
REVIEWS
»Archaeology of the Russian Arctic»: book review
Publ. 10/02/2026
Archives
DOI 10.34685/HI.2021.28.68.026
Skorobogacheva E., Stepanova A.
Spiritual inheritance of modern religious painting on the example of diploma canvases from The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture
Abstract. Based on the study of the canvas «The Last Supper», created for the Cathedral of Christ the Savior by the modern artist V. A. Cherny, it is shown that realism in its classical sense is a universal pictorial style and a key method of embodying the image when transmitting not only historical, but also biblical subjects. As a key issue of the development of modern classical realism and its opposition to actual art, the measure of introducing visual techniques of statics and monumentality into the space of a pictorial work is investigated. It is concluded that, based on the dialogic nature of art schools and traditions, modern classical realism creates the basis for a high spiritual, aesthetic perception, familiarization of the viewer with the values of domestic and world culture. Thus, this style reaches special peaks of fine art.
Key words: classical inheritance, modern classical realism, tradition and innovation in fine arts, modern painting, artistic language, aesthetic image, interactivity of arts, The Cathedral of Christ the Saviour.
Skorobogacheva Ekaterina Aleksandrovna,
D. in History of Arts,
The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow),
email: skorobogacheva@mail.ru
Stepanova Anna Valerievna,
post-graduate student,
The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow),
email: anna.stepanova.v@mail.ru
Published: The Heritage Institute Journal, 2021/3(26)
Url: http://nasledie-journal.ru/en/journals/454.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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