2026/2(45)
Contents
HISTORICAL RESEARCH
Occupation Regime and
Nazi Criminals in the Krasnodar Region (1942-1943): An Analysis
of Eyewitness Testimonies
APPLIED RESEARCH
On the spread of stone architecture in the Arctic region. Construction
of a cathedral in the Sumskoy Fortress
Art project “My Contemporaries”: аxiological foundations
Traditional water transport
of the Amur basin
Authorial repetition and copy
in the creative practice of Vladimir painters of the 1980s - 1990s (based on the archive of GOSNIIR
Scientific Expertise Department)
Formation and development
of copyright in China: from doctrine to instruments of state cultural policy
HERITAGE PRESERVATION
Study of the X-ray of “Landscape. Pargolovo” by Fyodor Vasilyev
(the Radischev Art Museum, Saratov)
Cultural transmission mechanisms and modes in the context of historical development of the Stronsky artistic dynasty
Digital twin as an object of protection of lost heritage
Chukotka baidara: technology and the preservation of traditions. Experience building an Eskimo baidara in the village of Sireniki
in 2025
Historical practices and conceptual evolution in the conservation
of China's large archaeological sites
MUSEOLOGY
Tainitskaya Tower of the Nizhny Novgorod Kremlin: historical and architectural review
Mikhalskaya O., Chuvilkina Yu.
Contribution of collector Felix Evgenievich Vishnevsky to the development of Russian museum collections
Biblical scenes on an 18th century tiled stove of the Novodevichy convent in Moscow
Publ. 04/05/2026
Archives
DOI 10.34685/HI.2021.28.68.026
Skorobogacheva E., Stepanova A.
Spiritual inheritance of modern religious painting on the example of diploma canvases from The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture
Abstract. Based on the study of the canvas «The Last Supper», created for the Cathedral of Christ the Savior by the modern artist V. A. Cherny, it is shown that realism in its classical sense is a universal pictorial style and a key method of embodying the image when transmitting not only historical, but also biblical subjects. As a key issue of the development of modern classical realism and its opposition to actual art, the measure of introducing visual techniques of statics and monumentality into the space of a pictorial work is investigated. It is concluded that, based on the dialogic nature of art schools and traditions, modern classical realism creates the basis for a high spiritual, aesthetic perception, familiarization of the viewer with the values of domestic and world culture. Thus, this style reaches special peaks of fine art.
Key words: classical inheritance, modern classical realism, tradition and innovation in fine arts, modern painting, artistic language, aesthetic image, interactivity of arts, The Cathedral of Christ the Saviour.
Skorobogacheva Ekaterina Aleksandrovna,
D. in History of Arts,
The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow),
email: skorobogacheva@mail.ru
Stepanova Anna Valerievna,
post-graduate student,
The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow),
email: anna.stepanova.v@mail.ru
Published: The Heritage Institute Journal, 2021/3(26)
Url: http://nasledie-journal.ru/en/journals/454.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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