2026/2(45)
Contents
HISTORICAL RESEARCH
Occupation Regime and
Nazi Criminals in the Krasnodar Region (1942-1943): An Analysis
of Eyewitness Testimonies
APPLIED RESEARCH
On the spread of stone architecture in the Arctic region. Construction
of a cathedral in the Sumskoy Fortress
Art project “My Contemporaries”: аxiological foundations
Traditional water transport
of the Amur basin
Authorial repetition and copy
in the creative practice of Vladimir painters of the 1980s - 1990s (based on the archive of GOSNIIR
Scientific Expertise Department)
Formation and development
of copyright in China: from doctrine to instruments of state cultural policy
HERITAGE PRESERVATION
Study of the X-ray of “Landscape. Pargolovo” by Fyodor Vasilyev
(the Radischev Art Museum, Saratov)
Cultural transmission mechanisms and modes in the context of historical development of the Stronsky artistic dynasty
Digital twin as an object of protection of lost heritage
Chukotka baidara: technology and the preservation of traditions. Experience building an Eskimo baidara in the village of Sireniki
in 2025
Historical practices and conceptual evolution in the conservation
of China's large archaeological sites
MUSEOLOGY
Tainitskaya Tower of the Nizhny Novgorod Kremlin: historical and architectural review
Mikhalskaya O., Chuvilkina Yu.
Contribution of collector Felix Evgenievich Vishnevsky to the development of Russian museum collections
Biblical scenes on an 18th century tiled stove of the Novodevichy convent in Moscow
Publ. 04/05/2026
Archives
DOI 10.34685/HI.2026.84.16.018
Nikolaev K.
Authorial repetition and copy in the creative practice
of Vladimir painters of the 1980s - 1990s
(based on the archive of GOSNIIR Scientific Expertise Department)
Abstract. Using expert research conducted at the State Research Institute for Restoration (GOSNIIR) on works by three Vladimir painters — V.Ya.Yukin, I.D.Yudin, and N.A.Mokrov — this article examines the problems of authorial repetition, copying, or intentionally authorized falsification in the practice of the late and post-Soviet era. The main individual techniques of the pictorial style, demonstrated in original versions and repetitions of their famous works, are described. An attempt is also made to document elements of falsification practices that imitate the characteristics of V.Ya.Yukin's original pictorial style. The issue of preserving the painters' authentic legacy and the relevance of a comprehensive technical and technological study of the works of Vladimir painters, including those from the 1980s and 1990s, are raised.
Keywords: painter, V.Ya.Yukin, I.D.Yudin, N.A.Mokrov, Vladimir school of painting, author's repetition, authorized falsification, expertise.
Nikolaev Kirill Alexeevich,
Head of the Scientific Expertise Department,
State Research Institute for Restoration (Moscow)
Email: kirill.pochta@mail.ru
Published: The Heritage Institute Journal, 2026/2(45)
URL: http://nasledie-journal.ru/en/journals/865.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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