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2024/1(36)

special issue


TOMSKAYA PISANITSA

Research materials


Abolonkova I., Zayatdinov D., Novokreshchenova K., Yudnikova A., Rayko G.

Experience of geomechanical monitoring of Tomskaya Pisanitsa in 2022–2023


Gizey Yu.

Prospects for nomination of ‘The Tom River region Rock Art’ to the World Heritage List


Goryaev V.

“Tomskaya Pisanitsa” Museum-Reserve: returning from a “museum cultural” to a “repository of cultural heritage objects”


Kovtun I.

The Lower Tom Rock Art Centre


Moor N., Abolonkova I., Goryaev V., Seletsky M., Onishchenko S.

Preliminary results of studying archaeological context of Tomskaya Pisanitsa


Moskvina E.

History of conservation and museumification of rock art sites
on the Tom River based on records from the State Archive of Kuzbass


Orlova E.

Old Russian settlements and villages of the proposed place of interest “Tom Rock Ar


Sazanova K., Zelenskaya M., Vlasov D.

Methodological approaches to the protection of archaeological sites
of the Tom River region from biological damage


Seletsky M., Sokolov P.

Lithic assemblage from the Pisanaya I site: preliminary results of technical and typological analysis


Sheremetova S.,
Sheremetov R.

Geographical and floristic features
of the Tom River Basin



Publ. 15/03/2024


Archives

DOI 10.34685/HI.2020.16.28.013

Dibrova A.

The space of the Church of the Transfiguration of the Kizhi Pogost in the context of Hierotopy

Abstract. The Church of the Transfiguration (1714) is the most remarkable part of the Kizhi Pogost. In 1990, the pogost was included in the UNESCO list of World Heritage sites and in 1993 listed as a Russian Cultural Heritage site. The iconostasis of the Church of the Transfiguration is dated to the second half of the 18th century, has four levels and contains 105 icons (are from the late 17th century to the early 19th century). This article considers the question about the creation of sacred space of the Church of the Transfiguration in the context of Hierotopy – the modern concept is originally developed by Alexei Lidov.

Key words: hierotopy, sacred space, Kizhi Pogos, church, iconostasis, icon, cultural heritage.

Dibrova Anastasia Vladimirovna,
Kizhi State Open Air Museum of History, Architecture and Ethnography (Petrozavodsk),
e-mail: dibrovaav@rambler.ru

Published: The Heritage Institute Journal, 2020/1(20)

URL: http://nasledie-journal.ru/en/journals/352.html


Founder

Russian Scientific Research
Institute for Cultural
and Natural Heritage
named after D.Likhachev


Publisher

Russian Scientific Research
Institute for Cultural
and Natural Heritage
named after D.Likhachev


Certificate

of the Mass information media
registration:
ЭЛ № ФС 77–60211,
date: 17.12.2014


Frequency

4 issues per year

Published on-line only


PARTNERS


Journal of Cultural Research



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