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2025/3(42)
special issue


Scientific practical conference
of graduate students
and young scientists

ARTS AND CULTURE SCIENCES:
ADVANCED RESEARCH

Moscow, 2025, 22-23 January

Part 2


REPORTS


Alymova E.

Actualization of Global Trends
in Museum Technologies (Internet of Things, Virtual and Augmented Reality, and Artificial Intelligence)
for the Museum of the Bosporan Kingdom Project


Artyukh M.

The big in the small. Touches on the characteristics of the state cultural policy of the period of perestroika


Brilev D.

Russian Language and Orthodoxy
in Russia and Africa: Spiritual and cultural foundations of cooperation between Russia and African countries


Davidenko E.

Corporate culture in cultural studies discourse: structure and functions


Izbachkov Yu.

Documents of the OGPU and NKVD as а source of information about the culture of occult organizations 


Karabanova I.

The phenomenon of a private museum in the socio-cultural space: Julian Semenov Museum in Crimea


Krasnova T.

Effect of ceramic mass composition on the preservation of porous ceramic products


Kulakova N.

Museums-reserves of Russia: historical and cultural features


Litvintseva A.

Definitionofthecategory ‘historicalsettlement’: theproblemofadopting ‘rulesofthegame’ ontheterritoryofhistorical settlements of federal significance


Madikova L.

Theory and practice of conducting historical and navigational experiments


Markaryants I.

The preservation and development of the traditions of Russian
folk-stage dance, as a phenomenon of folk culture


Mudryan N.

Textual nature of the song text: cultural aspects


Piunova P.

GOSNIIR Experimental Fund
in the context of the history
of restoration of tempera painting


Tsekova L.

The history of the formation
of the Abaza folk culture institutions of the 20th century: trends, specific and numerical dynamics


Shilov K.

University Models in Russian Educational Traditions: Formulating the Problem of Historical Typology and Cultural Attribution


Shkirova K.

Use of digital technology
in the hospitality industry as a tool
for popularization and protection
of the cultural and natural heritage
of the Russian Federation






Publ. 29/08/2025


Archives

DOI 10.34685/HI.2021.50.87.011

Lysenko A.

The inconsistency of the view on the exclusiveness of the method of painting from nature in the academic art

Abstract. The article is devoted to a comparative analysis of the methods of the fine arts and the issue of identifying an excellent method. This issue has its relevance in ethical discussions in the community of artists of the academic direction. The scientific novelty of the work lies in the absence of earlier attempts at theoretical consideration of this problem. In the process of personal study of the many opinions of specialists in the field of the scientific and artistic community, the author comes to an opinion about the ethical and social benefits of a scientific solution of the problem presented. The research proposed by the author, based on the analysis of scientific and theoretical sources of art, will be useful for studying in secondary and higher educational institutions belonging to the field of academic art, as well as for professional artists at the initial stages of independent study of art.

Key words: art theory, philosophy of art, art criticism, culturology, art history, art methodology, sciences of culture and art.

Lysenko Andrey Stanislavovich,

post- graduate student,

Russian Scientific Research Institute for Cultural and Natural Heritage named after

D.Likhachev (Moscow),

email: andlyss@gmail.com


Published: The Heritage Institute Journal, 2021/1(24)

URL: http://nasledie-journal.ru/en/journals/422.html


Founder

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Publisher

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Certificate

of the Mass information media
registration:
ЭЛ № ФС 77–60211,
date: 17.12.2014


Frequency

4 issues per year

Published on-line only


PARTNERS


Journal of Cultural Research



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