2025/2(41)
special issue

Scientific practical conference
of graduate students
and young scientists

ARTS AND CULTURE SCIENCES:
ADVANCED RESEARCH

Moscow, 2025, 22-23 January

Part 1

REPORTS

Bazhenova I.

Synthesis of genres in theatrical arts (on the example of the Musical theatre ‘On Basmannaya’)

Berezina N.

Best practices for the implementation of modern measures for the preservation, use and popularization of cultural heritage
in the Vologda region

Borsukovskaya G.

The cultural system of the indigenous population of the Canary islands as a relic of Neolithic culture

Borunov S.

Specifics of commemoration
of the events of the Crimean front
of the Great Patriotic war in fiction cinematography of the Stalin and Khrushchev periods of the USSR (1944–1964)

Valkova I.

Testing of individual methods
for removing dirt from the surface
of furniture without a finishing coating

Garafutdinov D.

The period of formation of the Chekhov International theater festival as a new theatrical institution

Kostin N.

Regional сultural and information policy: challenges and prospects

Orlov S.

Artificial intelligence and determining the authorship of electronic texts
as a cultural problem

Talovin K.

Cultural potential of archaeological metal finds

Chebykin D.

The specifics of the implementation of soft power in foreign cultural policy (USA, China and Russia
for examples)

Publ. 06/05/2025

Archives

DOI 10.34685/HI.2021.49.79.008

Romanova K.

Russian fashion houses in Europe: à la russe style in the arts and crafts culture of the 1920s

Abstract. The article highlights the origins of the à la russe style, its formation, as well as its influence on the trends of European fashion in the early 20th century. With the advent of the famous entrepreneur S.Diaghilev, interest in Russian culture and art arose. The emigration of the first wave, in its turn, strengthened the fashion for everything Russian. The opening of fashion houses by the representatives of the Russian nobility was an outstanding event of that time. The unique combination of the grace of creating decor, accessories and clothes with the practicality and subtlety of work has become the hallmark of Russian fashion houses such as Irfe, Iteb, Kitmir. Russian women in the 20s and 30s of the last century showed themselves not only as high-class fashion designers, but also as models. As a result, the demand for Russian «exotics» forced the leading Parisian houses to create entire collections «à la russe» in the early 1920s.

Key words: fashion, emigration of the first wave, fashion houses, nobility, S.Diaghilev, art, ballet, à la russse style, Irfe, Iteb, Kitmir.

Romanova Kira Konstantinovna,

post- graduate student,

Russian Scientific Research Institute for Cultural and Natural Heritage named after D.Likhachev (Moscow),

Published: The Heritage Institute Journal, 2021/1(24)

URL: http://nasledie-journal.ru/en/journals/426.html

Founder

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Publisher

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Certificate

Frequency

4 issues per year

Published on-line only

PARTNERS