2026/2(45)
Contents
HISTORICAL RESEARCH
Occupation Regime and
Nazi Criminals in the Krasnodar Region (1942-1943): An Analysis
of Eyewitness Testimonies
APPLIED RESEARCH
On the spread of stone architecture in the Arctic region. Construction
of a cathedral in the Sumskoy Fortress
Art project “My Contemporaries”: аxiological foundations
Traditional water transport
of the Amur basin
Authorial repetition and copy
in the creative practice of Vladimir painters of the 1980s - 1990s (based on the archive of GOSNIIR
Scientific Expertise Department)
Formation and development
of copyright in China: from doctrine to instruments of state cultural policy
HERITAGE PRESERVATION
Study of the X-ray of “Landscape. Pargolovo” by Fyodor Vasilyev
(the Radischev Art Museum, Saratov)
Cultural transmission mechanisms and modes in the context of historical development of the Stronsky artistic dynasty
Digital twin as an object of protection of lost heritage
Chukotka baidara: technology and the preservation of traditions. Experience building an Eskimo baidara in the village of Sireniki
in 2025
Historical practices and conceptual evolution in the conservation
of China's large archaeological sites
MUSEOLOGY
Tainitskaya Tower of the Nizhny Novgorod Kremlin: historical and architectural review
Mikhalskaya O., Chuvilkina Yu.
Contribution of collector Felix Evgenievich Vishnevsky to the development of Russian museum collections
Biblical scenes on an 18th century tiled stove of the Novodevichy convent in Moscow
Publ. 04/05/2026
Archives
DOI 10.34685/HI.2021.43.39.017
Skorobogacheva E.
Philosophical images of Fyodor Dostoyevsky in Ilya Glazunov’s interpretation
Abstract. The article examines the I.S.Glazunov`s works, equivalent to the F.M.Dostoevsky`s philosophy. The purpose of the research is to identify ways to translate religious and philosophical ideas into artistic language, to find common spiritual spaces of their works. The terms «the philosophy of the artistic image» and «the multi-vector approach of spiritual influences» are used as key terms. The author concludes that the spiritual spaces of F.M. Dostoevsky and I.S. Glazunov are equivalent, determined by the prevalence of the ideas of Orthodoxy throughout the entire creative path, and the factors that determine the common worldviews of the writer and the artist are revealed.
Key words: F.M. Dostoevsky, I.S. Glazunov, multivariance, implementation of traditions, philosophy of the image, artistic language, versatility of interpretations, spiritual space.
Skorobogacheva Ekaterina Aleksandrovna,
D. in History of Arts,
Ilya Glazunov Russian Academy of Painting,
Sculpture and Architecture (Moscow),
email: skorobogacheva@mail.ru
Published: The Heritage Institute Journal, 2021/2(25)
Url: http://nasledie-journal.ru/en/journals/440.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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