2026/1(44)
Contents
HISTORICAL RESEARCH
Stylistic features of the Stroganov' glassblowing plastics of the 1960s - 1980s
History of the horse-breeding portrait as a utilitarian genre in the traditions of Russian art of the late
XVIII - XIX centuries
“Expedition in Time and Space”
on Lake Onega
Military education of servicemen of the Russian army in the second half of the 19th century – early
20th century: historical experience, lessons
INTANGIBLE CULTURAL HERITAGE
I.A. Ilyin on Pushkin's heritage
and the antitheses of its interpretation
Yalta branch of the Crimean State Philharmonic in the cultural
and historical retrospective
of development
HERITAGE PRESERVATION
Tourism as a factor in preserving
the unique cultural heritage of
the Kenozersky National Park
Reconstruction vs «Disneyification» of cultural heritage
Patterns of non-governmental digital heritage preservation in Russia
Current problems of the actuel system of protected zones for cultural heritage sites in Russia
Experience of preserving authentic winemaking as part of the cultural heritage of the region (based on
the material of the Spanish movement of «terroirists»)
MUSEOLOGY
Memorial landscape on the coast
of the Sea of Azov: the first steps to organize a museum complex in the
homeland of Fedor Konyukhov
Prerequisites for the emergence
and features of the functioning
of museums of Russian writers
in the CIS member states
Role of volunteers in preserving landscape art, using the example
of estate complexes in central Russia
REVIEWS
»Archaeology of the Russian Arctic»: book review
Publ. 10/02/2026
Archives
DOI 10.34685/HI.2021.43.39.017
Skorobogacheva E.
Philosophical images of Fyodor Dostoyevsky in Ilya Glazunov’s interpretation
Abstract. The article examines the I.S.Glazunov`s works, equivalent to the F.M.Dostoevsky`s philosophy. The purpose of the research is to identify ways to translate religious and philosophical ideas into artistic language, to find common spiritual spaces of their works. The terms «the philosophy of the artistic image» and «the multi-vector approach of spiritual influences» are used as key terms. The author concludes that the spiritual spaces of F.M. Dostoevsky and I.S. Glazunov are equivalent, determined by the prevalence of the ideas of Orthodoxy throughout the entire creative path, and the factors that determine the common worldviews of the writer and the artist are revealed.
Key words: F.M. Dostoevsky, I.S. Glazunov, multivariance, implementation of traditions, philosophy of the image, artistic language, versatility of interpretations, spiritual space.
Skorobogacheva Ekaterina Aleksandrovna,
D. in History of Arts,
Ilya Glazunov Russian Academy of Painting,
Sculpture and Architecture (Moscow),
email: skorobogacheva@mail.ru
Published: The Heritage Institute Journal, 2021/2(25)
Url: http://nasledie-journal.ru/en/journals/440.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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