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2024/2(37)


Cultural Policy

Aristarkhov V.

Universal values and the conflict
of civilizations


Volobuev S.

One step forward, two steps back? On the problems of scientific, methodological and educational support for the course “Foundations of Russian statehood»


Basic Research

Stepanov P.

Law, morality and religion
in the structure of social regulation
Part 1


Historical Research

Kazanskaya K.

Innovation in the costumes of the «Russian Seasons» in the Russian ballet on the European stage
in the first half of the 20th century


Applied Research

Pleschenko V.

Disclosure of the budget and personal finance topics in the works of A.N. Ostrovsky


Skorokhod A.

Study of five printed sheets
of the unique botanical Atlas «Hortus Eystettensis» (1713-1750) in the Scientific Expertise Department
of the State Research Institute for Restoration


Museology

Izbachkov Yu., Rybak K.

About one little-known fact from
the fate of Plyushkin’s collection


Snegovskaya E.

To the problem of Zaporozhye region’ cultural tourism development: a brief concept of “Shore of the Azov Sea” integrated museum



Publ. 04/05/2024


Archives

DOI 10.34685/HI.2021.49.79.008

Romanova K.

Russian fashion houses in Europe: à la russe style in the arts and crafts culture of the 1920s

Abstract. The article highlights the origins of the à la russe style, its formation, as well as its influence on the trends of European fashion in the early 20th century. With the advent of the famous entrepreneur S.Diaghilev, interest in Russian culture and art arose. The emigration of the first wave, in its turn, strengthened the fashion for everything Russian. The opening of fashion houses by the representatives of the Russian nobility was an outstanding event of that time. The unique combination of the grace of creating decor, accessories and clothes with the practicality and subtlety of work has become the hallmark of Russian fashion houses such as Irfe, Iteb, Kitmir. Russian women in the 20s and 30s of the last century showed themselves not only as high-class fashion designers, but also as models. As a result, the demand for Russian «exotics» forced the leading Parisian houses to create entire collections «à la russe» in the early 1920s.

Key words: fashion, emigration of the first wave, fashion houses, nobility, S.Diaghilev, art, ballet, à la russse style, Irfe, Iteb, Kitmir.

Romanova Kira Konstantinovna,

post- graduate student,

Russian Scientific Research Institute for Cultural and Natural Heritage named after D.Likhachev (Moscow),

email: Kira-Romanova20@yandex.ru


Published: The Heritage Institute Journal, 2021/1(24)

URL: http://nasledie-journal.ru/en/journals/426.html


Founder

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Publisher

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Certificate

of the Mass information media
registration:
ЭЛ № ФС 77–60211,
date: 17.12.2014


Frequency

4 issues per year

Published on-line only


PARTNERS


Journal of Cultural Research



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