2025/3(42)
special issue
Scientific practical conference
of graduate students
and young scientists
ARTS AND CULTURE SCIENCES:
ADVANCED RESEARCH
Moscow, 2025, 22-23 January
Part 2
REPORTS
Actualization of Global Trends
in Museum Technologies (Internet of Things, Virtual and Augmented Reality, and Artificial Intelligence)
for the Museum of the Bosporan Kingdom Project
The big in the small. Touches on the characteristics of the state cultural policy of the period of perestroika
Russian Language and Orthodoxy
in Russia and Africa: Spiritual and cultural foundations of cooperation between Russia and African countries
Corporate culture in cultural studies discourse: structure and functions
Documents of the OGPU and NKVD as а source of information about the culture of occult organizations
The phenomenon of a private museum in the socio-cultural space: Julian Semenov Museum in Crimea
Effect of ceramic mass composition on the preservation of porous ceramic products
Museums-reserves of Russia: historical and cultural features
Definitionofthecategory ‘historicalsettlement’: theproblemofadopting ‘rulesofthegame’ ontheterritoryofhistorical settlements of federal significance
Theory and practice of conducting historical and navigational experiments
The preservation and development of the traditions of Russian
folk-stage dance, as a phenomenon of folk culture
Textual nature of the song text: cultural aspects
GOSNIIR Experimental Fund
in the context of the history
of restoration of tempera painting
The history of the formation
of the Abaza folk culture institutions of the 20th century: trends, specific and numerical dynamics
University Models in Russian Educational Traditions: Formulating the Problem of Historical Typology and Cultural Attribution
Use of digital technology
in the hospitality industry as a tool
for popularization and protection
of the cultural and natural heritage
of the Russian Federation
Publ. 29/08/2025
Archives
DOI 10.34685/HI.2021.49.79.008
Romanova K.
Russian fashion houses in Europe: à la russe style in the arts and crafts culture of the 1920s
Abstract. The article highlights the origins of the à la russe style, its formation, as well as its influence on the trends of European fashion in the early 20th century. With the advent of the famous entrepreneur S.Diaghilev, interest in Russian culture and art arose. The emigration of the first wave, in its turn, strengthened the fashion for everything Russian. The opening of fashion houses by the representatives of the Russian nobility was an outstanding event of that time. The unique combination of the grace of creating decor, accessories and clothes with the practicality and subtlety of work has become the hallmark of Russian fashion houses such as Irfe, Iteb, Kitmir. Russian women in the 20s and 30s of the last century showed themselves not only as high-class fashion designers, but also as models. As a result, the demand for Russian «exotics» forced the leading Parisian houses to create entire collections «à la russe» in the early 1920s.
Key words: fashion, emigration of the first wave, fashion houses, nobility, S.Diaghilev, art, ballet, à la russse style, Irfe, Iteb, Kitmir.
Romanova Kira Konstantinovna,
post- graduate student,
Russian Scientific Research Institute for Cultural and Natural Heritage named after D.Likhachev (Moscow),
email: Kira-Romanova20@yandex.ruPublished: The Heritage Institute Journal, 2021/1(24)
URL: http://nasledie-journal.ru/en/journals/426.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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