2026/1(44)
Contents
HISTORICAL RESEARCH
Stylistic features of the Stroganov' glassblowing plastics of the 1960s - 1980s
History of the horse-breeding portrait as a utilitarian genre in the traditions of Russian art of the late
XVIII - XIX centuries
“Expedition in Time and Space”
on Lake Onega
Military education of servicemen of the Russian army in the second half of the 19th century – early
20th century: historical experience, lessons
INTANGIBLE CULTURAL HERITAGE
I.A. Ilyin on Pushkin's heritage
and the antitheses of its interpretation
Yalta branch of the Crimean State Philharmonic in the cultural
and historical retrospective
of development
HERITAGE PRESERVATION
Tourism as a factor in preserving
the unique cultural heritage of
the Kenozersky National Park
Reconstruction vs «Disneyification» of cultural heritage
Patterns of non-governmental digital heritage preservation in Russia
Current problems of the actuel system of protected zones for cultural heritage sites in Russia
Experience of preserving authentic winemaking as part of the cultural heritage of the region (based on
the material of the Spanish movement of «terroirists»)
MUSEOLOGY
Memorial landscape on the coast
of the Sea of Azov: the first steps to organize a museum complex in the
homeland of Fedor Konyukhov
Prerequisites for the emergence
and features of the functioning
of museums of Russian writers
in the CIS member states
Role of volunteers in preserving landscape art, using the example
of estate complexes in central Russia
REVIEWS
»Archaeology of the Russian Arctic»: book review
Publ. 10/02/2026
Archives
DOI 10.34685/HI.2021.40.80.022
Ivanov M.
Historical and artistic preconditions in Soviet monumental mosaic art
Abstract. The author aims to show under the influence of which cultural traditions, world tendencies and art schools the Soviet monumental mosaic art was formed. A brief historical overview is given from the traditions of Byzantine art to modernity. Soviet modernism is seen as part of the pan-European mosaic style of contemporary art. Examples of private mosaic workshops of Art Nouveau, Art Deco and Art Nouveau are given. The author introduces the most significant implemented projects in Russia before the collapse of the USSR. It is emphasized that many coloristic solutions, expressiveness, dynamic graphicity were acquired by Soviet monumental artists as a result of the influence of world trends in art and graphics and their interpretation in their own works.
Key words: mosaic, soviet monumentalism, byzantine art, florentine mosaic, modernism, art nouveau, art deco, Union of Artists, stagnation period, USSR, avant-garde.
Ivanov Mark Alexandrovich,
<>post-graduate student,
Russian Scientific Research Institute for Cultural and Natural Heritage
named after D.Likhachev (Moscow),
email: kolobrod-mark@mail.ru
Published: The Heritage Institute Journal, 2021/2(25)
Url: http://nasledie-journal.ru/en/journals/447.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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