2025/2(41)
special issue

Scientific practical conference
of graduate students
and young scientists

ARTS AND CULTURE SCIENCES:
ADVANCED RESEARCH

Moscow, 2025, 22-23 January

Part 1

REPORTS

Bazhenova I.

Synthesis of genres in theatrical arts (on the example of the Musical theatre ‘On Basmannaya’)

Berezina N.

Best practices for the implementation of modern measures for the preservation, use and popularization of cultural heritage
in the Vologda region

Borsukovskaya G.

The cultural system of the indigenous population of the Canary islands as a relic of Neolithic culture

Borunov S.

Specifics of commemoration
of the events of the Crimean front
of the Great Patriotic war in fiction cinematography of the Stalin and Khrushchev periods of the USSR (1944–1964)

Valkova I.

Testing of individual methods
for removing dirt from the surface
of furniture without a finishing coating

Garafutdinov D.

The period of formation of the Chekhov International theater festival as a new theatrical institution

Kostin N.

Regional сultural and information policy: challenges and prospects

Orlov S.

Artificial intelligence and determining the authorship of electronic texts
as a cultural problem

Talovin K.

Cultural potential of archaeological metal finds

Chebykin D.

The specifics of the implementation of soft power in foreign cultural policy (USA, China and Russia
for examples)

Publ. 06/05/2025

Archives

DOI 10.34685/HI.2021.40.80.022

Ivanov M.

Historical and artistic preconditions in Soviet monumental mosaic art

Abstract. The author aims to show under the influence of which cultural traditions, world tendencies and art schools the Soviet monumental mosaic art was formed. A brief historical overview is given from the traditions of Byzantine art to modernity. Soviet modernism is seen as part of the pan-European mosaic style of contemporary art. Examples of private mosaic workshops of Art Nouveau, Art Deco and Art Nouveau are given. The author introduces the most significant implemented projects in Russia before the collapse of the USSR. It is emphasized that many coloristic solutions, expressiveness, dynamic graphicity were acquired by Soviet monumental artists as a result of the influence of world trends in art and graphics and their interpretation in their own works.

Key words: mosaic, soviet monumentalism, byzantine art, florentine mosaic, modernism, art nouveau, art deco, Union of Artists, stagnation period, USSR, avant-garde.

Ivanov Mark Alexandrovich,
<>post-graduate student,
Russian Scientific Research Institute for Cultural and Natural Heritage
named after D.Likhachev (Moscow),
email: kolobrod-mark@mail.ru

Published: The Heritage Institute Journal, 2021/2(25)

Url: http://nasledie-journal.ru/en/journals/447.html

Founder

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Publisher

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Certificate

Frequency

4 issues per year

Published on-line only

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