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2026/3(46)

Contents


HISTORICAL RESEARCH

Filin P.

Jan Huyghen van Linschoten, the search for the Northeast Passage and Russian maritime culture in the late 16th century


APPLIED RESEARCH

Bychkova O.

Role of popular science tourism infrastructure in the popularization and preservation of scientific and technical heritage


Zinovieva N.

Network culture in the context of two approaches to research issues


Kovbasyuk T.

Significant extension to an existing property on the example of the World Heritage site ‘White monuments of Vladimir and Suzdal


Kostina N.

Methodological approaches to working with the cultural heritage of the region in the context of the cultural and educational policy of modern Russia


Khilko N.

Objectification as a form of digital reconstruction of lost cultural heritage in the urban environment of tourist sites Western Siberia


INTANGIBLE CULTURAL HERITAGE

Kitov Yu., Egorova M.

Genesis and development of Evenki circle dances as a cultural phenomenon of historical and modern Yakutia


CULTURAL HERITAGE STUDIES

Kukhterin S., Yermolov E. 

Karbas of the 17th century. An Oransky find on the coast of Novaya Zemlya


Okorokov A.

40 years of the Marine Arctic Complex Expedition of the Heritage Institute


Seleznev A.

Shamanic ladder in the Muslim cemetery: to the semantics of the ornamented on-grave posts of the Tobol-Irtysh Tatars


Selezneva S.

Identification of immovable cultural heritage objects in Russia: conceptual, regulatory and regional aspects


HERITAGE PRESERVATION

Soloviev A., Berezina N.

International and foreign models for the preservation of immovable cultural heritage: a comparative legal and cultural analysis


Spivak D.

Cultural heritage in actual UNESCO strategy


MUSEOLOGY

Pleshchenko V.

The corporate museum as a tool for preserving the history and accumulating the business reputation of the company


Sarkisova E.

School as a center for the preservation of cultural heritage: from the experience of cultural and educational activities of school museums




Publ. 18/09/2026


Archives

DOI 10.34685/HI.2021.40.80.022

Ivanov M.

Historical and artistic preconditions in Soviet monumental mosaic art

Abstract. The author aims to show under the influence of which cultural traditions, world tendencies and art schools the Soviet monumental mosaic art was formed. A brief historical overview is given from the traditions of Byzantine art to modernity. Soviet modernism is seen as part of the pan-European mosaic style of contemporary art. Examples of private mosaic workshops of Art Nouveau, Art Deco and Art Nouveau are given. The author introduces the most significant implemented projects in Russia before the collapse of the USSR. It is emphasized that many coloristic solutions, expressiveness, dynamic graphicity were acquired by Soviet monumental artists as a result of the influence of world trends in art and graphics and their interpretation in their own works.

Key words: mosaic, soviet monumentalism, byzantine art, florentine mosaic, modernism, art nouveau, art deco, Union of Artists, stagnation period, USSR, avant-garde.

Ivanov Mark Alexandrovich,
<>post-graduate student,
Russian Scientific Research Institute for Cultural and Natural Heritage
named after D.Likhachev (Moscow),
email: kolobrod-mark@mail.ru


Published: The Heritage Institute Journal, 2021/2(25)

Url: http://nasledie-journal.ru/en/journals/447.html


Founder

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Publisher

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Certificate

of the Mass information media
registration:
ЭЛ № ФС 77–60211,
date: 17.12.2014


Frequency

4 issues per year

Published on-line only


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