2026/2(45)
Contents
HISTORICAL RESEARCH
Occupation Regime and
Nazi Criminals in the Krasnodar Region (1942-1943): An Analysis
of Eyewitness Testimonies
APPLIED RESEARCH
On the spread of stone architecture in the Arctic region. Construction
of a cathedral in the Sumskoy Fortress
Art project “My Contemporaries”: аxiological foundations
Traditional water transport
of the Amur basin
Authorial repetition and copy
in the creative practice of Vladimir painters of the 1980s - 1990s (based on the archive of GOSNIIR
Scientific Expertise Department)
Formation and development
of copyright in China: from doctrine to instruments of state cultural policy
HERITAGE PRESERVATION
Study of the X-ray of “Landscape. Pargolovo” by Fyodor Vasilyev
(the Radischev Art Museum, Saratov)
Cultural transmission mechanisms and modes in the context of historical development of the Stronsky artistic dynasty
Digital twin as an object of protection of lost heritage
Chukotka baidara: technology and the preservation of traditions. Experience building an Eskimo baidara in the village of Sireniki
in 2025
Historical practices and conceptual evolution in the conservation
of China's large archaeological sites
MUSEOLOGY
Tainitskaya Tower of the Nizhny Novgorod Kremlin: historical and architectural review
Mikhalskaya O., Chuvilkina Yu.
Contribution of collector Felix Evgenievich Vishnevsky to the development of Russian museum collections
Biblical scenes on an 18th century tiled stove of the Novodevichy convent in Moscow
Publ. 04/05/2026
Archives
DOI 10.34685/HI.2025.22.59.015
Borunov S.
Specifics of commemoration of the events
of the Crimean front of the Great Patriotic war
in fiction cinematography of the Stalin and Khrushchev periods of the USSR (1944–1964)
Abstract. The purpose of this study is to identify the specifics of commemoration of the events of the Crimean Front (1941-1945) of the Great Patriotic War by means of cinematography during the reign of I.Stalin and N.Khrushchev in the USSR. The article provides a comparative analysis of the depiction of these events in the periods of 1944-1953 and 1953-1964 in Soviet cinema, which was used as a tool for perpetuating the events of the war and forming the historical memory of the Soviet people. According to the author, cinematography performs the task of transmitting narratives and intergenerational communication, while influencing the formation of the cultural memory of society. Films about Crimea of those periods demonstrate changes in the ideological vector, reflect the influence of artistic styles and aesthetic ideals, cultural stereotypes.
Key words: memorial heritage, commemoration, immortalization of memory, Great Patriotic War, Crimean Front, artistic cinematography, historical and cultural heritage, Crimea, historical memory.
Borunov Svyatoslav Sergeevich,
Post-graduate student, Crimean University of Culture,
Arts and Tourism (Simferopol, Crimea)
Email: borunovsl@mail.ru
Published: The Heritage Institute Journal, 2025/2(41)
URL: http://nasledie-journal.ru/en/journals/746.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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