2026/2(45)
Contents
HISTORICAL RESEARCH
Occupation Regime and
Nazi Criminals in the Krasnodar Region (1942-1943): An Analysis
of Eyewitness Testimonies
APPLIED RESEARCH
On the spread of stone architecture in the Arctic region. Construction
of a cathedral in the Sumskoy Fortress
Art project “My Contemporaries”: аxiological foundations
Traditional water transport
of the Amur basin
Authorial repetition and copy
in the creative practice of Vladimir painters of the 1980s - 1990s (based on the archive of GOSNIIR
Scientific Expertise Department)
Formation and development
of copyright in China: from doctrine to instruments of state cultural policy
HERITAGE PRESERVATION
Study of the X-ray of “Landscape. Pargolovo” by Fyodor Vasilyev
(the Radischev Art Museum, Saratov)
Cultural transmission mechanisms and modes in the context of historical development of the Stronsky artistic dynasty
Digital twin as an object of protection of lost heritage
Chukotka baidara: technology and the preservation of traditions. Experience building an Eskimo baidara in the village of Sireniki
in 2025
Historical practices and conceptual evolution in the conservation
of China's large archaeological sites
MUSEOLOGY
Tainitskaya Tower of the Nizhny Novgorod Kremlin: historical and architectural review
Mikhalskaya O., Chuvilkina Yu.
Contribution of collector Felix Evgenievich Vishnevsky to the development of Russian museum collections
Biblical scenes on an 18th century tiled stove of the Novodevichy convent in Moscow
Publ. 04/05/2026
Archives
DOI 10.34685/HI.2025.96.77.034
Piunova P.
GOSNIIR Experimental Fund in the context of the history
of restoration of tempera painting
Abstract. The article examines the formation of restoration approaches to Ancient Russian painting, with an emphasis on the first experiments and research tasks of the 20th century. The process of creating the All-Union Central Research Laboratory for the Conservation and Restoration of Cultural Property (VCNILCR) and its main tasks are being studied. In addition, attention is being paid to the composition of the experimental fund of the tempera department of the All-Russian Scientific Research Center (now GOSNIIR). The problems that arise during the restoration of late icon painting are mentioned. As an example of scientific research, the use of objects of the fund for solving restoration tasks on monuments and verifying the materials being developed is considered.
Key words: icon painting, easel tempera painting, scientific restoration, experimental fund, GOSNIIR.
Piunova Polina Ruslanovna,
Restorer, State Research Institute for Restoration (Moscow)
Email: piunova_polina@mail.ru
Published: The Heritage Institute Journal, 2025/3(42)
URL: http://nasledie-journal.ru/en/journals/782.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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