2026/2(45)
Contents
HISTORICAL RESEARCH
Occupation Regime and
Nazi Criminals in the Krasnodar Region (1942-1943): An Analysis
of Eyewitness Testimonies
APPLIED RESEARCH
On the spread of stone architecture in the Arctic region. Construction
of a cathedral in the Sumskoy Fortress
Art project “My Contemporaries”: аxiological foundations
Traditional water transport
of the Amur basin
Authorial repetition and copy
in the creative practice of Vladimir painters of the 1980s - 1990s (based on the archive of GOSNIIR
Scientific Expertise Department)
Formation and development
of copyright in China: from doctrine to instruments of state cultural policy
HERITAGE PRESERVATION
Study of the X-ray of “Landscape. Pargolovo” by Fyodor Vasilyev
(the Radischev Art Museum, Saratov)
Cultural transmission mechanisms and modes in the context of historical development of the Stronsky artistic dynasty
Digital twin as an object of protection of lost heritage
Chukotka baidara: technology and the preservation of traditions. Experience building an Eskimo baidara in the village of Sireniki
in 2025
Historical practices and conceptual evolution in the conservation
of China's large archaeological sites
MUSEOLOGY
Tainitskaya Tower of the Nizhny Novgorod Kremlin: historical and architectural review
Mikhalskaya O., Chuvilkina Yu.
Contribution of collector Felix Evgenievich Vishnevsky to the development of Russian museum collections
Biblical scenes on an 18th century tiled stove of the Novodevichy convent in Moscow
Publ. 04/05/2026
Archives
Skorobogacheva E.
Тhe importance of historical and cultural heritage of the Russian North in the actual context
Abstract. Тhe importance of spiritual and artistic traditions of the Russian North in the evolution of the national Russian art in the context of global processes of the modern world are discussed in the article on the basis of a number of previously unstudied works of art. Special attention is paid to spiritual orientation, the specifics of historical and philosophical content. The prevailing motive architectural structures is highlighted as a compositional dominant of the landscape in graphic sheets. In the painting indicated 3 groups of samples: a chamber pictures, based on a synthesis of traditions of realistic art; large-scale historical paintings; monumental religious and historical composition, with fragmentary inclusion of northern motifs. Our conclusion: with all the artistic individuality of the authors the essence of historical and philosophical interpretation of the Russian North is single as the ancient Orthodox region. The concept of «ideological and semantic content» is the primary in the creation and perception of genuine art works.
Кеу words: Russian North, tradition, Orthodoxy, church, archetype, compositional dominant, historical and philosophical content
Skorobogacheva Ekaterina Aleksandrovna,
PhD in Philosophy,
The Russian Academy of painting, sculpture and architecture of Ilya Glazunov (Moscow),
e-mail: Skorobogacheva@mail.ru
Published: The Heritage Institute Journal, 2016/4(7)
URL: http://nasledie-journal.ru/en/journals/114.html
Founder
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Publisher
Likhachev Russian Research
Institute for Cultural
and Natural Heritage
Certificate
of the Mass information mediaregistration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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