2025/2(41)
special issue

Scientific practical conference
of graduate students
and young scientists

ARTS AND CULTURE SCIENCES:
ADVANCED RESEARCH

Moscow, 2025, 22-23 January

Part 1

REPORTS

Bazhenova I.

Synthesis of genres in theatrical arts (on the example of the Musical theatre ‘On Basmannaya’)

Berezina N.

Best practices for the implementation of modern measures for the preservation, use and popularization of cultural heritage
in the Vologda region

Borsukovskaya G.

The cultural system of the indigenous population of the Canary islands as a relic of Neolithic culture

Borunov S.

Specifics of commemoration
of the events of the Crimean front
of the Great Patriotic war in fiction cinematography of the Stalin and Khrushchev periods of the USSR (1944–1964)

Valkova I.

Testing of individual methods
for removing dirt from the surface
of furniture without a finishing coating

Garafutdinov D.

The period of formation of the Chekhov International theater festival as a new theatrical institution

Kostin N.

Regional сultural and information policy: challenges and prospects

Orlov S.

Artificial intelligence and determining the authorship of electronic texts
as a cultural problem

Talovin K.

Cultural potential of archaeological metal finds

Chebykin D.

The specifics of the implementation of soft power in foreign cultural policy (USA, China and Russia
for examples)

Publ. 06/05/2025

Archives

Skorobogacheva E.

Тhe importance of historical and cultural heritage of the Russian North in the actual context

Abstract. Тhe importance of spiritual and artistic traditions of the Russian North in the evolution of the national Russian art in the context of global processes of the modern world are discussed in the article on the basis of a number of previously unstudied works of art. Special attention is paid to spiritual orientation, the specifics of historical and philosophical content. The prevailing motive architectural structures is highlighted as a compositional dominant of the landscape in graphic sheets. In the painting indicated 3 groups of samples: a chamber pictures, based on a synthesis of traditions of realistic art; large-scale historical paintings; monumental religious and historical composition, with fragmentary inclusion of northern motifs. Our conclusion: with all the artistic individuality of the authors the essence of historical and philosophical interpretation of the Russian North is single as the ancient Orthodox region. The concept of «ideological and semantic content» is the primary in the creation and perception of genuine art works.

Кеу words: Russian North, tradition, Orthodoxy, church, archetype, compositional dominant, historical and philosophical content

Skorobogacheva Ekaterina Aleksandrovna,
PhD in Philosophy,
The Russian Academy of painting, sculpture and architecture of Ilya Glazunov (Moscow),
e-mail: Skorobogacheva@mail.ru

Published: The Heritage Institute Journal, 2016/4(7)

URL: http://nasledie-journal.ru/en/journals/114.html

Founder

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Publisher

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Certificate

Frequency

4 issues per year

Published on-line only

PARTNERS