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2024/1(36)

special issue


TOMSKAYA PISANITSA

Research materials


Abolonkova I., Zayatdinov D., Novokreshchenova K., Yudnikova A., Rayko G.

Experience of geomechanical monitoring of Tomskaya Pisanitsa in 2022–2023


Gizey Yu.

Prospects for nomination of ‘The Tom River region Rock Art’ to the World Heritage List


Goryaev V.

“Tomskaya Pisanitsa” Museum-Reserve: returning from a “museum cultural” to a “repository of cultural heritage objects”


Kovtun I.

The Lower Tom Rock Art Centre


Moor N., Abolonkova I., Goryaev V., Seletsky M., Onishchenko S.

Preliminary results of studying archaeological context of Tomskaya Pisanitsa


Moskvina E.

History of conservation and museumification of rock art sites
on the Tom River based on records from the State Archive of Kuzbass


Orlova E.

Old Russian settlements and villages of the proposed place of interest “Tom Rock Ar


Sazanova K., Zelenskaya M., Vlasov D.

Methodological approaches to the protection of archaeological sites
of the Tom River region from biological damage


Seletsky M., Sokolov P.

Lithic assemblage from the Pisanaya I site: preliminary results of technical and typological analysis


Sheremetova S.,
Sheremetov R.

Geographical and floristic features
of the Tom River Basin



Publ. 15/03/2024


Archives

Skorobogacheva E.

Тhe importance of historical and cultural heritage of the Russian North in the actual context

Abstract. Тhe importance of spiritual and artistic traditions of the Russian North in the evolution of the national Russian art in the context of global processes of the modern world are discussed in the article on the basis of a number of previously unstudied works of art. Special attention is paid to spiritual orientation, the specifics of historical and philosophical content. The prevailing motive architectural structures is highlighted as a compositional dominant of the landscape in graphic sheets. In the painting indicated 3 groups of samples: a chamber pictures, based on a synthesis of traditions of realistic art; large-scale historical paintings; monumental religious and historical composition, with fragmentary inclusion of northern motifs. Our conclusion: with all the artistic individuality of the authors the essence of historical and philosophical interpretation of the Russian North is single as the ancient Orthodox region. The concept of «ideological and semantic content» is the primary in the creation and perception of genuine art works.

Кеу words: Russian North, tradition, Orthodoxy, church, archetype, compositional dominant, historical and philosophical content

Skorobogacheva Ekaterina Aleksandrovna,
PhD in Philosophy,
The Russian Academy of painting, sculpture and architecture of Ilya Glazunov (Moscow),
e-mail: Skorobogacheva@mail.ru

Published: The Heritage Institute Journal, 2016/4(7)

URL: http://nasledie-journal.ru/en/journals/114.html


Founder

Russian Scientific Research
Institute for Cultural
and Natural Heritage
named after D.Likhachev


Publisher

Russian Scientific Research
Institute for Cultural
and Natural Heritage
named after D.Likhachev


Certificate

of the Mass information media
registration:
ЭЛ № ФС 77–60211,
date: 17.12.2014


Frequency

4 issues per year

Published on-line only


PARTNERS


Journal of Cultural Research



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