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2026/1(44)

Contents


HISTORICAL RESEARCH

Kariakina E.

Stylistic features of the Stroganov' glassblowing plastics of the 1960s - 1980s


Krupoderova O.

History of the horse-breeding portrait as a utilitarian genre in the traditions of Russian art of the late
XVIII - XIX centuries


Naumov Yu., Kuznetsov N.

“Expedition in Time and Space”
on Lake Onega


Pryakhin Yu.

Military education of servicemen of the Russian army in the second half of the 19th century – early
20th century: historical experience, lessons


INTANGIBLE CULTURAL HERITAGE

Zakunov Yu.

I.A. Ilyin on Pushkin's heritage
and the antitheses of its interpretation


Shyntyapina I.

Yalta branch of the Crimean State Philharmonic in the cultural
and historical retrospective
of development


HERITAGE PRESERVATION

Grushenko E.

Tourism as a factor in preserving
the unique cultural heritage of
the Kenozersky National Park


Kader A.

Reconstruction vs «Disneyification» of cultural heritage


Naumov V.

Patterns of non-governmental digital heritage preservation in Russia


Putrik Yu., Soloviev A.

Current problems of the actuel system of protected zones for cultural heritage sites in Russia


Pugacheva V.

Experience of preserving authentic winemaking as part of the cultural heritage of the region (based on
the material of the Spanish movement of «terroirists»)


MUSEOLOGY

Kovanova E., Zotova T.

Memorial landscape on the coast
of the Sea of Azov: the first steps to organize a museum complex in the
homeland of Fedor Konyukhov


Korneeva A.

Prerequisites for the emergence
and features of the functioning
of museums of Russian writers
in the CIS member states


Pychin O.

Role of volunteers in preserving landscape art, using the example
of estate complexes in central Russia


REVIEWS

Zhitenev V.

»Archaeology of the Russian Arctic»: book review





Publ. 10/02/2026


Archives

DOI 10.34685/HI.2021.78.20.028

Dubrovin M., Suslonova M.

Study of the metal faming of the icon 'The Mother of Tenderance of evil hearts'

Abstract. The article describes the study of the silver framing of an icon, in which the hallmarks of the assay supervision must be recognized as fake by formal characteristics. A comprehensive study of the framing and the study of the history of the administrative divisions in the Russian Empire on the edge of 18th and 19th centuries made it possible to prove the authenticity of the assay marks affixed to the framing. As a result of the study, the mark of the assay master was introduced into the scientific circulation, and the previously unpublished assay mark of the city of Kostroma of the first half of the 19th century was discovered.

Key words: hallmarks of assay supervision, unknown assay master, examination of objects of art made of precious metals, attribution of works of art, database of stamps on items of decorative and applied art.

Dubrovin Mikhail Feliksovich,
Leading research associate, candidate of technical sciences,
The State Research Institute for Restoration (Moscow),
email: info@gosniir.ru

Suslonova Margarita Nikolaevna,
conservator of the applied art objects of the 2nd category,
The Andrey Rublev Central Museum of Ancient Russian Culture and Art (Moscow),
email: margaritasuslonova@gmail.com

Published: The Heritage Institute Journal, 2021/3(26)

Url: http://nasledie-journal.ru/en/journals/459.html


Founder

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Publisher

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Certificate

of the Mass information media
registration:
ЭЛ № ФС 77–60211,
date: 17.12.2014


Frequency

4 issues per year

Published on-line only


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