2026/3(46)

Contents

HISTORICAL RESEARCH

Filin P.

Jan Huyghen van Linschoten, the search for the Northeast Passage and Russian maritime culture in the late 16th century

APPLIED RESEARCH

Bychkova O.

Role of popular science tourism infrastructure in the popularization and preservation of scientific and technical heritage

Zinovieva N.

Network culture in the context of two approaches to research issues

Kovbasyuk T.

Significant extension to an existing property on the example of the World Heritage site ‘White monuments of Vladimir and Suzdal

Kostina N.

Methodological approaches to working with the cultural heritage of the region in the context of the cultural and educational policy of modern Russia

Khilko N.

Objectification as a form of digital reconstruction of lost cultural heritage in the urban environment of tourist sites Western Siberia

INTANGIBLE CULTURAL HERITAGE

Kitov Yu., Egorova M.

Genesis and development of Evenki circle dances as a cultural phenomenon of historical and modern Yakutia

CULTURAL HERITAGE STUDIES

Kukhterin S., Yermolov E. 

Karbas of the 17th century. An Oransky find on the coast of Novaya Zemlya

Okorokov A.

40 years of the Marine Arctic Complex Expedition of the Heritage Institute

Seleznev A.

Shamanic ladder in the Muslim cemetery: to the semantics of the ornamented on-grave posts of the Tobol-Irtysh Tatars

Selezneva S.

Identification of immovable cultural heritage objects in Russia: conceptual, regulatory and regional aspects

HERITAGE PRESERVATION

Soloviev A., Berezina N.

International and foreign models for the preservation of immovable cultural heritage: a comparative legal and cultural analysis

Spivak D.

Cultural heritage in actual UNESCO strategy

MUSEOLOGY

Pleshchenko V.

The corporate museum as a tool for preserving the history and accumulating the business reputation of the company

Sarkisova E.

School as a center for the preservation of cultural heritage: from the experience of cultural and educational activities of school museums

Publ. 18/09/2026

Archives

DOI 10.34685/HI.2021.28.68.026

Skorobogacheva E., Stepanova A.

Spiritual inheritance of modern religious painting on the example of diploma canvases from The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture

Abstract. Based on the study of the canvas «The Last Supper», created for the Cathedral of Christ the Savior by the modern artist V. A. Cherny, it is shown that realism in its classical sense is a universal pictorial style and a key method of embodying the image when transmitting not only historical, but also biblical subjects. As a key issue of the development of modern classical realism and its opposition to actual art, the measure of introducing visual techniques of statics and monumentality into the space of a pictorial work is investigated. It is concluded that, based on the dialogic nature of art schools and traditions, modern classical realism creates the basis for a high spiritual, aesthetic perception, familiarization of the viewer with the values of domestic and world culture. Thus, this style reaches special peaks of fine art.

Key words: classical inheritance, modern classical realism, tradition and innovation in fine arts, modern painting, artistic language, aesthetic image, interactivity of arts, The Cathedral of Christ the Saviour.

Skorobogacheva Ekaterina Aleksandrovna,
D. in History of Arts,
The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow),
email: skorobogacheva@mail.ru

Stepanova Anna Valerievna,
post-graduate student,
The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow),
email: anna.stepanova.v@mail.ru

Published: The Heritage Institute Journal, 2021/3(26)

Url: http://nasledie-journal.ru/en/journals/454.html

Founder

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Publisher

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Certificate

of the Mass information media
registration:
ЭЛ № ФС 77–60211,
date: 17.12.2014

Frequency

4 issues per year

Published on-line only

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