2024/2(37)
Cultural Policy
Universal values and the conflict
of civilizations
One step forward, two steps back? On the problems of scientific, methodological and educational support for the course “Foundations of Russian statehood»
Basic Research
Law, morality and religion
in the structure of social regulation
Part 1
Historical Research
Innovation in the costumes of the «Russian Seasons» in the Russian ballet on the European stage
in the first half of the 20th century
Applied Research
Study of five printed sheets
of the unique botanical Atlas «Hortus Eystettensis» (1713-1750) in the Scientific Expertise Department
of the State Research Institute for Restoration
Museology
About one little-known fact from
the fate of Plyushkin’s collection
To the problem of Zaporozhye region’ cultural tourism development: a brief concept of “Shore of the Azov Sea” integrated museum
Publ. 04/05/2024
Archives
DOI 10.34685/HI.2021.28.68.026
Skorobogacheva E., Stepanova A.
Spiritual inheritance of modern religious painting on the example of diploma canvases from The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture
Abstract. Based on the study of the canvas «The Last Supper», created for the Cathedral of Christ the Savior by the modern artist V. A. Cherny, it is shown that realism in its classical sense is a universal pictorial style and a key method of embodying the image when transmitting not only historical, but also biblical subjects. As a key issue of the development of modern classical realism and its opposition to actual art, the measure of introducing visual techniques of statics and monumentality into the space of a pictorial work is investigated. It is concluded that, based on the dialogic nature of art schools and traditions, modern classical realism creates the basis for a high spiritual, aesthetic perception, familiarization of the viewer with the values of domestic and world culture. Thus, this style reaches special peaks of fine art.
Key words: classical inheritance, modern classical realism, tradition and innovation in fine arts, modern painting, artistic language, aesthetic image, interactivity of arts, The Cathedral of Christ the Saviour.
Skorobogacheva Ekaterina Aleksandrovna,
D. in History of Arts,
The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow),
email: skorobogacheva@mail.ru
Stepanova Anna Valerievna,
post-graduate student,
The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow),
email: anna.stepanova.v@mail.ru
Published: The Heritage Institute Journal, 2021/3(26)
Url: http://nasledie-journal.ru/en/journals/454.html
Founder
Russian Scientific Research
Institute for Cultural
and Natural Heritage
named after D.Likhachev
Publisher
Russian Scientific Research
Institute for Cultural
and Natural Heritage
named after D.Likhachev
Certificate
registration:
ЭЛ № ФС 77–60211,
date: 17.12.2014
Frequency
4 issues per year
Published on-line only
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