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2025/2(41)
special issue


Scientific practical conference
of graduate students
and young scientists

ARTS AND CULTURE SCIENCES:
ADVANCED RESEARCH

Moscow, 2025, 22-23 January

Part 1


REPORTS


Bazhenova I.

Synthesis of genres in theatrical arts (on the example of the Musical theatre ‘On Basmannaya’)


Berezina N.

Best practices for the implementation of modern measures for the preservation, use and popularization of cultural heritage
in the Vologda region


Borsukovskaya G.

The cultural system of the indigenous population of the Canary islands as a relic of Neolithic culture


Borunov S.

Specifics of commemoration
of the events of the Crimean front
of the Great Patriotic war in fiction cinematography of the Stalin and Khrushchev periods of the USSR (1944–1964)


Valkova I.

Testing of individual methods
for removing dirt from the surface
of furniture without a finishing coating


Garafutdinov D.

The period of formation of the Chekhov International theater festival as a new theatrical institution


Kostin N.

Regional сultural and information policy: challenges and prospects


Orlov S.

Artificial intelligence and determining the authorship of electronic texts
as a cultural problem


Talovin K.

Cultural potential of archaeological metal finds


Chebykin D.

The specifics of the implementation of soft power in foreign cultural policy (USA, China and Russia
for examples)




Publ. 06/05/2025


Archives

DOI 10.34685/HI.2021.28.68.026

Skorobogacheva E., Stepanova A.

Spiritual inheritance of modern religious painting on the example of diploma canvases from The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture

Abstract. Based on the study of the canvas «The Last Supper», created for the Cathedral of Christ the Savior by the modern artist V. A. Cherny, it is shown that realism in its classical sense is a universal pictorial style and a key method of embodying the image when transmitting not only historical, but also biblical subjects. As a key issue of the development of modern classical realism and its opposition to actual art, the measure of introducing visual techniques of statics and monumentality into the space of a pictorial work is investigated. It is concluded that, based on the dialogic nature of art schools and traditions, modern classical realism creates the basis for a high spiritual, aesthetic perception, familiarization of the viewer with the values of domestic and world culture. Thus, this style reaches special peaks of fine art.

Key words: classical inheritance, modern classical realism, tradition and innovation in fine arts, modern painting, artistic language, aesthetic image, interactivity of arts, The Cathedral of Christ the Saviour.

Skorobogacheva Ekaterina Aleksandrovna,
D. in History of Arts,
The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow),
email: skorobogacheva@mail.ru

Stepanova Anna Valerievna,
post-graduate student,
The Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow),
email: anna.stepanova.v@mail.ru

Published: The Heritage Institute Journal, 2021/3(26)

Url: http://nasledie-journal.ru/en/journals/454.html


Founder

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Publisher

Likhachev Russian Research
Institute for Cultural
and Natural Heritage

Certificate

of the Mass information media
registration:
ЭЛ № ФС 77–60211,
date: 17.12.2014


Frequency

4 issues per year

Published on-line only


PARTNERS


Journal of Cultural Research



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